STEREO MASTER VS STEM MASTER HOW TO

As such we have impeccable listening environments for multichannel jobs. Three of our mastering rooms were designed from conception with 5.1 surround sound in mind. Capturing an artist’s live performance direct to a vinyl master, completely bypassing any digital processing and any other recording processes, produces a truly unique and ‘real’ sound that is impossible to replicate. The process is so intricate that it requires a team of specialists to execute, and Metropolis Studios is one of the very few places on the planet still doing it. Synchronised, simultaneous live performing, engineering, mixing, mastering and cutting of the record eliminates all scope for hiding behind modern production techniques, and is not for performers faint of heart! It is a highly labour-intensive and intricate all-analogue process, harking back to the days before tape recording was introduced midway through the last century. For more information contact us at Live Direct-To-VinylĪ live, direct-to-lacquer vinyl cut is a truly unique undertaking in this day and age. In addition to ensuring the music sounds great wherever and however it is listened to, mastering will help to match the tonality of the Atmos master to the stereo master, whilst keeping the rising and falling dynamics of the album journey intact. And whilst the technology may be different the approach is very much the same. Mastering your Dolby Atmos mixes is every bit as essential as mastering for stereo, perhaps even more-so, since the delivery format can be played back on such a wide array of speaker formats. Contact us directly to discuss your project with one of the team. We believe it’s important to support emerging talent, so we are happy to accommodate truly independent, self-funded artists wherever possible. The experience of our engineers was paramount in developing methods to make music sound as good as possible in the AAC format used for iTunes and Apple Music. Metropolis was one of the first mastering houses in the world to be approved by Apple to produce Mastered for iTunes masters. This produces a louder, cleaner cut which far surpasses what is achievable on a standard speed cut. Both the playback system and the cutting lathe work at half speed, putting less stress on the vinyl cutter head. Vinyl cutting at half speed is a highly specialised process, and we are one of the few mastering studios in the world capable of this superior method of cutting. We have two lovingly maintained Neuman VMS 80 cutting lathes, which have been further modified for optimum results. As the format enjoys a well deserved resurgence, our specialism in professionally produced vinyl results in stunning sound quality which comfortably holds its own against CD and other digital formats.

STEREO MASTER VS STEM MASTER HOW TO

Our mastering engineers have decades of combined experience in cutting vinyl and know how to get the very best from the format. Simply upload your files, and get your mastered tracks emailed back to you.Ĭlick here to read more about online mastering by Metropolis or upload your tracks. This is an entirely online service geared towards those who can’t or don’t want to attend the session and is charged at a per track price. While 2 have our lovingly maintained Neumann VMS-80 lathes installed for cutting vinyl records.įor those who want the convenience of hassle-free remote mastering, you can book any of our engineers through our online service. This enables us to master for surround consumer formats like BluRay and SACD as well as cinema releases. Of our 5 mastering rooms, 2 have been designed for both for stereo and 5.1 surround sound mastering. Their high quality planar magnetic headphones are used in all our mastering rooms. High-end audio manufacturer Audeze are at the heart of workflow at Metropolis. Equipment chosen to be in the rooms comes from the likes of Sontec, Avalon, Maselec, Shadow Hills, Weiss, and TC Electronic. Each room is then equipped with a range of outboard EQs and compressors according to each engineers needs and preferences. PMC themselves describe our rooms as “the best audio environments in the world.”Īnother longstanding key partner of Metropolis are Prism who supply all the analogue to digital and digital to analogue converters we use. This ensures we have the best possible listening environment in which to make critical judgements and changes to audio. In the years that followed they were joined by other established mastering engineers Stuart Hawkes, John Davis and Matt Colton to continue to raise standards and expectations.įrom inception, all our rooms have been designed and built to the highest specification, in conjunction with industry-leading speaker manufacturer PMC to house their finest monitoring systems powered by Bryston amplifiers. Their motivation was simple: to master audio to a standard never previously achieved.

Metropolis Mastering was founded in 1993 by Ian Cooper, Tony Cousins and Tim Young.

Stereo master vs stem master